What do you see as the role of the cinematographer?

Once filming is over, what role do you have?

What is your relationship to the use of natural light?

What role does the cinematographer play in post-production?

What do you see is the relationship between film and digital post-production?

What techniques do you use to visually convey powerful emotions, such as grief, loss, trauma, tragedy in your films?

What techniques can a cinematographer use to evoke emotions and specific moods in landscape shots?

How would you describe the relationship between cinematographers and directors. Are there basic rules or is it different every time?

Could you talk about the collaborative aspects of the cinematographer’s job from pre-production through to post-production?

How would you describe your approach to cinematography? Do you prefer a simpler, naturalistic approach or are you interested in the expressive possibilities of cinematography?

You have talked in previous interviews about how Polish filmmakers and cinematographers have influenced your work. Can you discuss this further?

Could you talk more about Kieslowski’s relationship with realism and his more stylised visual style?

How did working on some of Derek Jarman’s films influence your developing cinematography?

You continue to work with artists such as Sam Taylor Wood and Willie Doherty on much more experimental cinema and art installations. What is it that inspires you to work outside the mainstream?